0211021 024 [Madhyamaavathi, Sree and Brindhavanasaaranga - Melam 22] [Aarohanam is same for all the 3 - sa ri ma pa ni Sa Avarohanam - Madhyamaavathi - Sa ni pa ma ri sa Sree raagam - Sa ni pa ma ri ga ri sa Brindhaavanasaaranga - Sa ni pa ma ri (ga) sa Madhyamaavathi and Sree are closer in mood. The essential difference lies in the manner in which the notes ri and ni are sung especially in avarohanam. Note ri of sree raagam is always held without gamakam (followed by ga) while ri of Madhyamaavathi is generally held with kampitham often oscillating over a large range] [pa ma ri sa area Madhyamaavathi - there can be a slight break between ma and ri and ri is held with kampitham ]-| pa - pa ma ri(ri<<<)ri(ri<< rii ri<<\sa)-;| pa-(.pa) ma -(.)-\6ri.((ri<<<))ri.((ri<<)) ri-;-| [Sree] pa. - ma. \\ ree ;//((ga)ri(ga))\ree- saa-;;-| [Sa ni pa area Madhyamaavathi - the ni is held with oscillation from da which note is not present in the raagam while in Sree the note may also be held plain or quick oscillation upwards from ni]-| [Madhyamaavathi] Sa ((da) ni>)\\paa-;;-| [Sree] Sa ni \\paa-; [or] Sa \ni/((((ni<<<)) ni))\\ paa-;-| [Aarohanam pa ni Sa area Madhyamavathi ni is anchored on da while Sree ni could be held similarly or oscillated upwards from its own position]-| [Madhyamaavathi] pa ((da ni<<<.)da)-5 Sa - Ri((Ri<<<))Ri((Ri<<<))Ri((Ri<<))Ri-;;-| [Sree] pa/((Sa))\\ni//(Sa)-Sa- Ree; -;;-| [In Brindhaavanasaaranga the movements are smooth, ri is not oscillated, ni is associated with Sa and there is occasional use of Kakali ni. The fleeting use of ga in 'ri ga' and a break after ga makes it quite different from the use of ga in Sree where it is explicit.Note ri is without kampitham and is strong] [Brindhaavanasaaranga] [pa ma ri sa regeion with kaakali ni]-| pa (ma pa) ma \\ ree ((ga))-(.)\(sa(nI*))saa-;-sa (nI*) saa-;;-| [ri ma pa can also be ri pa ma pa] ree//pa\ma/paa-;;-| [pa ni Saa - ni is connected to Saa in Kampitham] pa/Sa\\ni//(Sa);-;;-| [compare with Madhyamaavathi pa ni Sa] pa ((da ni.)<<