0221022 032 [Read each comment and then play the block of notes below it] [Aarabhi and Dhevagaandhaari - Melam 29] [Aarohanam both raagams sa ri ma pa da Sa Avarohanam Aarabhi - Sa ni da pa ma ga ri sa Devagaandhaari - Sa ni da ni* da pa maa gaa ri sa Major difference is in the Avarohanam] [da pa ma ga ri region] [Aarabhi - ga is held for a short duration and voice goes back to ma before descending to ri] da-pa.--((pa ma(ga<<)ma)ma((ga<<))ma ri sa) (((ri)ri<<<)) ri-;;-| [Devagaandhaari - ga is held clearly and longer and slide to ri is smooth] da-paa-(ma/((ma\ga<<))ma.).((ga<<)ga(ga<<))\\\\ri//((ga>>\\ri)),-;;-| [There can also be a break between ma and ga] paa-(ma/((ma\ga<<<))ma.)-.((ga<<)ga(ga<<))\\\\ri//((ga>>\\ri)),-;;-| [Sa ni da pa region - Aarabhi ni is short and voice goes back to Sa before coming to da; ni is also often omitted (ni does not figure at all in Saadinchene - Pancharathan krithi. Devagandhaari ni is more explicit. It also uses kaisiki ni*] [Aarabhi] Saa-. Sa ((ni<< Sa)- da (da<<<) da) -(((pa>>>)))pa-;;-| [Devagaandhaari] Saa ((ni<< Sa))\\da.//(da/((ni*>>)\(da ni*>>))-4(da)///ni*,\\(da))\\paa-;;-| [The entire avarohanam] [Aarabhi] Sa (((ni<<) Sa)). da pa- ((pa ma(ga<<)ma (ga<<)))ma ri sa)-;;-| [Dhevagaandhaari] Saa ((ni<< Sa))\\da.//(da/((ni*>>)\(da ni*>>))-4(da)///ni*,\\(da))\\paa-| paa-(ma/((ma<<<\ga))ma.).((ga<<)ga(ga<<))\\\\ri//((ga>>\\ri)),-.saa-;;-| [There is some difference in aarohanam also - Devagaandhari ma can be reached by slow slide from pa as below. A similar phrase in Aarabhi if used will be quicker] [Aarabhi] sa (ga\ri) ma- pa -/(Sa\da)- Saa-;;-| [Dhevagaandhaari] sa (ga\ri)//pa\\(ma)- pa /(Sa\da)- Saa -;;-| [Special phrases] [Devagaandhaari] ri/((ri<<<))\ri/((ri<<))\ri-(ri)/ma((ma<<<\ga))ma.).((ga<<)ga(ga<<))\\\\ri.-;;-| sa((ga)\ri) ga-.((ri))\(sa((nI<<)))saa-;;-| [Aarabhi] paa\\(ri. ma.) paa -(ma((ga<<))ma ri sa) (((ri)ri<<<)) ri-;;-| [In general the mood of Aarabhi is fast. It is a ghana raagam in the sense that it is suited for thaanam. Dhevagaandhari is slow and soft]